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A celebration of the hyperbolic paraboloid
20th July 2018

When it came to designing and building with concrete, Felix Candela was something of a genius.

Born in Madrid, Candela emigrated to Mexico in the late 1930s and it was during that country’s industrialisation era that he became a leading exponent of stunning thin-shell concrete structures.

Candela’s hyperbolic paraboloid reinforced concrete structures – also known as hypars – became his trademark with his inverted hypar shells for industrial buildings have been influencing architects and engineers across the world ever since.

Candela’s chief working ambition was to prove how extremely efficient reinforced concrete is in a dome or shell like shape. Candela also looked to solve problems by the simplest means possible using concrete in this form, as the shape eliminates tensile forces in the concrete.

Candela used his papers and public lectures to argue against the traditional means of structural analysis and in the 1950s he broke away from traditional thin-shell forms, such as the cylinder, and became advocate-in-chief of the hyperbolic paraboloid.

Just once did he bring his innovative ideas to the UK when he worked as a co-designer and consultant of the post-war architectural firm Yorke, Rosenberg and Mardall on a project to build a new warehouse for John Lewis in Stevenage – and the result was really quite spectacular.

The building was so successful that it was occupied by John Lewis for more than half a century but that have now left and Broadway Malyan have now been tasked with breathing new life into this magnificent building for Costco, their 29th UK facility but unquestionably the architectural pinnacle of their property portfolio.

Loading bays for Costco in Stevenage, UK.

When you approach the building, a saw-tooth profile is the only hint that something significant lurks behind the walls. There, hidden within the auxiliary buildings and subsequent extensions is a true diamond in the rough.

What has been clear from the very beginning of this project for Costco is that simply revealing the original building fabric and then building on the passion of the original designers is enough to reinvigorate this wonderful piece of architecture.

Candela was an innovator and every project was akin to a work of art. He was able to express rhythm and panache by forming hyperbolic paraboloids repeating across the structural grid and forming a majestic vaulted ceiling for what is arguably the most prestigious warehouse in the UK.

“Candela was an innovator and every project was akin to a work of art.”
Chris James, Associate, Broadway Malyan

Our design intention for this project is to emphasize the beauty, hidden away for so many years and open up the elevation facing the main road leading into the site. The design has sought to retain the core original principles and work the floor plate in order to maximise display space and merchandise racking for the new occupier.

Aisle widths are less generous than usual with 600mm square concrete columns providing further constraints and while clearly some compromises are having to be made to get the required outcome of the new occupier, the overall result will be a space that remains true to Candela’s original vision.

The functionality of the space has been woven into the requirements of a typical floor plate, incorporating all of the various required departments amidst all the many concrete columns. Whilst this in itself provides a challenge, it also provides many quirky elements to the staff areas and the main shop floor, adding to the idiosyncratic details littered throughout.

The spatial poetics of the existing building are intertwined with the new arrangement, respectfully framing the column grid and utilising the functionality of the space. The brick walled west elevation is retained and the five existing openings are being reused in order to access a new footpath running along the western building perimeter.

The fresh line departments including the bakery and rotisserie are centrally located along the retained west elevation and are larger than the typical departments as a line of 600mm square concrete columns run through the centre of each department.

Providing a covered car park along the eastern side of the building extends the design principle of exposing this architectural masterpiece whilst creating an additional feature on the approach to the main entrance lobby.

The front apron naturally forms a collective meeting place within the site with all members entering and leaving the warehouse from the north-eastern corner. The entrance lobby and the new loading bays on the south elevation are the only elements of the new warehouse which are outside of the existing high and low bays frames.

The majority is contained within the vaulted roof and, upon entering from the lobby, a majestic vista awaits the protagonist.